Anomaly Hunters Image Gallery
Animal Art
It's very rewarding that this genera of possible extraterrestrial art was recently
recognized at a press conference on Martian anomalies by Dr. Tom Van Flandern. At least one of his subjects
is by now an old, familiar favorite. While his slide show format, and this gallery format, leave it difficult
to explore in more detail these possible cousins of ancient terrestrial animal art like Nazca and Atacama, or some of
the Moundbuilder designs (the famous Serpent Mound being one of the better known), etc., etc., much more extensive studies
are possible, and additional proximal anomalies that reinforce the possibility of artificiality are in most
cases easily found. Besides the possibility that many of these in a terrestrial context have some value as
astronomical and chronological markers (the additional possibility that our "Zodiac" is inherited, along with some of our metrics and vocabulary,
from an ancient and possibly extraterrestrial culture has yet to be explored), some research into symbolism in the context of ancient technologies suggests that
many of these may also be a means of "encoding" further information on topics like "hyperdimensional physics", i.e.,
some of the finer details needed to implement "the Message of Cydonia" and to make that message too convincing
to easily ignore any longer, although even simply as navigation markers for aviation this genera of possible anomaly would possess adequate
functionality. This genera of ET art also seems to appear over what may be an amazing range of
scales; obviously, over a certain scale a 3-d artform becomes almost virtually impossible, and the abbreviation
in 2-d by "tracing" the forms with walls, buildings, transportation or water systems, etc. becomes understandable, as
does the probable simplification of executing these forms by selecting similar pre-existing natural shapes and modifying
them only slightly, in the manner of a sculptor. It's highly possible that many of these detectable forms are rudimentary patterns
once clarified by colored materials, or perhaps more likely, by seasonal rotation of variously colored agricultural materials,
much resembling artistic expressions used in our own horticulture. That we tend to find one pattern traced over another tends to
reinforce the idea of alternating the particular image visible at any given time. Nonethless, an impressive number of partial 3-d forms or apparent remains of 3-d forms has been found in this category, and
they frequently simply the problems in identification that this genera of art creates by effectively utilizing artificial
elements such as proximal repetition. A possible example of type of minimum cursory examination such such subjects should be
given before being dismissed "out of hand" might be found here,
which deals with the "Cydonia Dolphin" shown below.
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